I create oil paintings that are rooted in observation. Although my paintings originate in the real world, I take them to places beyond their origin. I paint wet into wet and often mix colors on the canvas to blur boundaries. My process combines cautiousness with a sense of urgency. I also paint with many layers, leaving parts of each layer exposed or altered. By covering and uncovering, I discover new paths in a painting. I take full advantage of oil paint’s ability to transition between opaque and transparent. I use very little painting medium, relying, instead, on time and effort to spread the paint. I like the feel of manipulating the minimally diluted oil paint. I also like the look of the pure oil paint when it dries.
I often charge beautiful images with an underlying tension or irony. For example, I depict California wildflowers battling invasive oat grass, stained glass church windows with garbage bins looming in the foreground, or I juxtapose calmness with turbulence and movement. As source material I sometimes use vintage or found photographs, honoring the magic of a single moment yet ruing the passage of time. Train stations and places of travel often appear in my paintings, as do images from different places and times. I try to think like a poet and a sculptor when interweaving time and place, as well as line and color. My intent is to create a feeling of interconnectedness and ambiguity so that we can experience the world a little differently.
I also create charcoal from unique materials such as money, food, documents and plants. These materials have meanings that I can integrate into a drawing or painting. I have developed methods for applying these unconventional charcoals to surfaces. Sometimes I use repurposed objects as templates. Often these relate to the meaning of a piece. Some of my charcoal pieces are conceptual whereas others revolve around pattern or gesture. The materials become a partner in my artistic process.
I was born in Utah where I spent a lot of time looking at mountains and sagebrush. I studied music and biology at Stanford. I also studied in Berlin and then got a law degree. After practicing law for just a few years in Boston and San Francisco, I left law for art. I studied oil painting at the Cambridge Studio School in Boston, and printmaking at City College in San Francisco. I currently have a studio in Berkeley, California where I also live.
Education
1994 Juris Doctor University of Utah
1989 BA in Music and Biology Stanford University
1999-2001 Cambridge Center Studio School, painting and drawing
2002-2003 City College San Francisco, printmaking
Solo Exhibitions
2025 The Shortest Day, Icarus Gallery, Berkeley, CA
2024 Turning to Salt, Icarus Gallery, Berkeley, CA
2023 As an Arrow, Carl Hansen & Søn, San Francisco, CA
2022 Entanglement, Icarus Gallery, Berkeley, CA
2021 Memory Imagined, Moss Gallery, Berkeley, CA
2019 Burn Rate, Gallery 60SIX, San Francisco, CA
2018 American Institute of Architects East Bay Gallery Exhibition, Berkeley, CA
2017 Calorie Project, Gallery 60SIX, San Francisco, CA
Selected Group Exhibitions
2025 Left Coast Award Winners Exhibition, Sanchez Art Center, Pacifica, CA.
2025 Word Play, Arc Gallery, San Francisco, CA. Juried by Jack Fischer
2025 Slice, Pence Gallery, Davis, CA. Juried by Susie Kantor
2025 Abstraction Now, Gearbox Gallery, Oakland, CA. Juried by Ariel Garza
2024 MarinMOCA Inaugural Northern California Open, Marin, CA. Juried by Lawrence Rinder,
Mari Robles, Mariah Nielson, Donna Seager, Facundo Argañaraz
2024 Metamorphosis, Mercury 20, Oakland, CA. Juried by Elena Gross
2024 Left Coast Annual Juried Exhibition, Sanchez Art Center, CA.
Juried by Janna Keegan
2024 Joy, Arc Gallery, San Francisco, CA. Juried by Karen Gutfreund and Priscilla Otani
2024 Series and Repetition, Site Brooklyn Gallery. Online exhibition juried by Yulia Topchiy
2024 Blue, O’Hanlon Gallery, Mill Valley, CA. Juried by Sarah Shepard
2023 Black & White, Arc Gallery, San Francisco, CA. Juried by James Bacchi
2023 Art & Ecology, O’Hanlon Gallery, Mill Valley, CA. Juried by Obi Kaufmann
2023 Cultural Currency: Contemporary Art from the Riemer Collection, Woodson Art Museum, Wasau, WI
2023 bit by bit, Gallery 60SIX, San Francisco, CA
2023 A New Perspective, O’Hanlon Gallery, Mill Valley, CA. Juried by Orin Carpenter
2022 Night Garden, Gallery 60SIX, San Francisco, CA
2022 Singulart, Stilwerk KantGaragen, Berlin, Germany
2022 Face to Face, Arc Gallery, San Francisco, CA. Juried by TaVee Lee
2022 Twenty Twenty, Pence Gallery, Davis, CA. Curated by Natalie Nelson
2021 Left Coast Annual Juried Exhibition, Sanchez Art Center, CA.
Juried by Christine Koppes
2021 Annual Juried Exhibition, Piedmont Center for the Arts, Piedmont, CA.
Juried by René de Guzman and Danielle Fox
2021 Hierarchy, GearBox Gallery, Oakland, CA. Juried by Elena Gross
2021 Women Artists Making Their Mark, O’Hanlon Center for the Arts, Mill Valley, CA,
Juried by Donna Seager and Suzanne Grey
2021 Blue, O’Hanlon Center for the Arts, Mill Valley, CA. Juried by Jen Tough
2021 Imaginary Travel, Artist Alliance Exhibition. Juried by John Yoyogi Fortes
2020 Justice, Marin Museum of Contemporary Art, CA.
Juried by Karen Jenkins-Johnson
2020 Fragments, Arc Gallery, San Francisco, CA. Juried by Jen Tough
2020 The Red Wood, virtual exhibition, curated by Julia Westerbeke
2019 Content Matters, Marin Museum of Contemporary Art, CA.
Juried by Jack Fischer
2019 All That Glitters, Berkeley Art Center, CA. Juried by Walter Maciel
2018 Y STUDIO, Gallery 60SIX, San Francisco, CA
2017 Fine Lines and Other Fictions, Berkeley Art Center, CA. Juried by Renny Pritikin
2016 Microcosmos, Gallery 621, Benicia, CA. Juried by Chester Arnold
2015 National Juried Drawing Exhibition,
Marin Museum of Contemporary Art, CA. Juried by Jack Fischer
Collections
DHR Investment, Riemer Collection, Oakland, CA
Hanjin Shipping Company, Seoul, Korea
University of Utah College of Law, Salt Lake City, Utah
Sandia National Laboratory, Livermore, CA
Seyfarth Shaw, San Francisco, CA
